Showing posts with label revelation. Show all posts
Showing posts with label revelation. Show all posts

Monday, February 24, 2014

Banshee Chapter (2013)

Banshee Chapter (2013)
Directed by Blair Erickson
Written by Blair Erickson and Daniel J. Healy

Image from http://www.movieinsider.com/m9385/the-banshee-chapter/

Banshee Chapter is a film about a young female journalist looking for her missing best friend who has got himself caught up in a horrific CIA experiment.

After college, best friends Anne and James sadly drifted apart. Anne went on her journey to become a journalist, while James began research on a book about MKUltra. He had received a sample of the drug from his friends in Colorado, and decided to partake in it on tape. Another friend of James' recorded his trip. Unfortunately James wasn't hallucinating what was happening to him. After ingesting the drug, the radio tuned into a strange station playing was sounded like ice cream truck music overlaid with a young girl talking gibberish. Then a silhouette appeared in the window and something happened...
When James' friend comes around he notices James is missing. He runs about the property frantically looking for his friend and eventually finds him out back. But it's not really James. A look-alike with dark eyes and some red liquid escaping its mouth confronts the friend. Next thing the friend knows he's being pinned for James' disappearance, but shortly after his interrogation he disappears himself.
Anne see's this as an opportunity for an amazing story and to find James. Her first research is reviewing the friend's tape. She then tracks down a man who may be able to identify what that weird radio broadcast is. An older gentleman at an electronic repair shop says yes, he has heard this before. And Anne's best bet of hearing it again is out at a particular lonely stretch of highway late at night. But when she goes there and hears what she's been searching for, something beyond the comfort of her car prompts her to make a quick getaway.
At the officer her boss, Olivia, has another tape for Anne. It's a tape from the MKUltra experiments showing living subjects being injected with liquid extracted from the brain of a dead patient. The tape then goes blank for the last half. It is sent away to see of what was originally recorded in that black space can be extracted, and in the mean time Anne sets out to find author Thomas Blackburn.
She got the tip to see Blackburn after she told a coworker James had got the drug from his 'friends in Colorado', and a coworker remarked "Like the book title?"
The book Friends in Colorado is then presented to Anne. It is written by Thomas Blackburn so Anne believes he is actually the one who supplied James with the substance.
Blackburn, not talking with journalists anymore, is greeted in a bar by Anne, under the alias of Sarah, a big Blackburn fan. Blackburn invites her back to his place, where she meets Callie. Callie is mixing up some MKUltra for them to enjoy, and Blackburn gives some to Sarah in a shot glass, before going to his liquor cabinet to get them another drink. While his back is turned Sarah chucks the MKUltra, then gladly takes the new drink from Blackburn. Slyly he confronts her about her true identity saying he knew it from the get-go. And that he actually put the drug in her drink, not in the shot she threw away...
Angered, Anne retreats to the bedroom upstairs where Callie is sitting. Callie is looking wide-eyes out the window claiming something is coming for them, something is close, something can see her and she doesn't like it. Weirded out Anne goes back downstairs to hear that ice cream truck recording and something banging on the door to get in. Blackburn, Callie and Anne hole up in the bedroom while the thing tries to break through the bedroom door. The place goes dark and the door opens. Blackburn and Anne are knocked out, and when they come to Callie is gone. The two of them get the hell out of there.
When they stop to regain composure the radio tunes into that noise again, and Blackburn starts to convulse. His eyes roll back and his orifices bleed. Anne guns it out of their until they're out of reach of the signa;.
With their nerves returning Anne insists they go to Callie's house to make sure she's ok. Perhaps they all just hallucinated all of this.
Blackburn directs her to the house she had been squatting in. He waits in the car, still a mess from the earlier incident, but gives Anne a walkie talkie to stay in touch.
As Anne approaches the front door of the house, it looks like someone's been here... She heads to the basement where Blackburn says she makes her concoctions, and he finds formulas for the MKUltra, as well as security camera feeds from around Callie's house. She sees Callie's form enter between the time at Blackburn's and now. Then the figure goes to the basement, and walks into a shadowed corner just minutes before Anne arrives. And she never sees her leave... Paranoid, Anne approaches the stairs by the corner slowly, having grabbed what papers she could. Halfway up the stairs a hand grabs her, and in a panic Anne flees back to the car. The the two drive.
Blackburn explains that the MKUltra drug isn't really for a regular trip. He theorizes it's a chemical catalyst that makes your mind a receiver for something. And that something hones into your location once you've ingested the drug. Your can tell it's near from the radio, and when it gets you, you're gone, but your body remains. It wears you.
Fearing for them, Anne points out to where she thinks it all originated from based on the papers from Callie's house, and suggests they burn it to hell. Blackburn tells her she doesn't have to. She can just walk away. Because he didn't actually give her the drug.
He had lied to her like she lied to him. But this doesn't make Anne feel safer, because James' friend went missing too. They finally resolve to go the origin and destroy it.
They arrive at what looks like a bunker with a broadcast antenna on top. Inside the rooms that were in the experiment tape are all around them. Finally they find one room with a tank and some sort of giant computer hooked up to it that's still running. The tank has one window. Anne crouches to peer inside and pale face presses against it. Then the radio signal begins. Blackburn begins to fit, and before he is taken by the signal, he shoots himself. Anne flees down the hall in fright, to be confronted by a strange humanoid figure. Wearing James' clothes.
She runs back to the room, locks the door and douses the place in gasoline from the car. The thing is coming for her at the door but she manages to set the gas alight before she's taken too.
Soon afterwards Anne finds herself at a police station. It looks similar to the one James' friend was held at for interrogation at the beginning. Her boss arrives and is glad she's safe, but advises against her story. They'll call her crazy. But Anne doesn't know what else to say. Olivia mentions to her that the company was able to extract the buried footage on the tape, but says the content isn't important right now. She wants to know is Anne is sure she didn't have any of the drug. She says yes, but then the intercom starts plating the ominous ice cream truck music again. Frantically Anne screams for the police to let her out of the investigation room, and when she turns around she finds Olivia at her neck, black eyes and bleeding from the mouth like James from the tape.

Image from http://www.screendaily.com/reviews/the-latest/the-banshee-chapter/5059526.article

So this movie really freaked me out. Yes is is low budget, but the film handled that well. It felt like the crew said "We only have this much money and time, so let's make a top notch film on a tiny budget by really focusing the money where is needs to go."
Within the first ten minutes I jumped around twice. I don't usually get phased by horror movies, but this one did it.
I don't understand why ratings aren't higher for this film on IMDB. I'd recommend to a horror fan who also likes to think a little. To top it off, it's one of those films based on other stories, like how Devil's Pass is based on the real hikers who went missing in the same area so long ago.
I didn't know this going in, but the MKUltra experiments were a real thing and may very well still be. Like it says in the movie, the experiments were intended to figure out a recipe for mind control. Tons of people, an unknown number, were used as test subjects without knowing. Perhaps it's still happening now too. I'm not a huge conspiracy theorist, but we've seen what the US government does to it's own citizens and the rest of the world with or without their knowing and/or approval, so I really unfortunately don't see this film as far fetched.
It is disheartening to know there are people within high ranks of the government that can literally go whatever kind of experiments they want on knowing or unknowing test subjects and get away with whatever the consequences to the subjects are. And that taxes go to fund things like this...
We can hope this isn't continuing in the USA, but...
Anyway, good thinking film. I'd also like to add I've only watched through this once so far, but the interrogation room from the beginning with James' friend and the one from the end with Anne looked similar to me. This prompts me to believe that the police knew on some level what was going on, and perhaps they were being controlled themselves by some successful version of MKUltra, so they purposefully stuck Anne in a room with a receiver in order to take care of their problem.
Also worthy of note, this isn't a typically blockbuster with love stories and such going on. Yes, Anne considers the possibility that maybe her and James should have been something. But they don't live happily ever after. There's no sex, or nudity to keep attention. Just a good story without those stupid movie crutches.
And finally, the end of the credits don't play some catch pop song. Instead the last thing you hear is the broadcast. And it is eerie...

Sunday, October 28, 2012

Silent Hill: Revelation 3D

Silent Hill: Revelation 3D (2012)
Directed by Michael J. Bassett



Pyramid head in his boss fight on behalf of Sharon against Claudia (image from http://www.beyondhollywood.com/silent-hill-revelation-2011-movie-preview-images-and-videos/pyramid-head-in-silent-hill-revelation-2012-movie-image/)


Hmm... Where to start. How about... HORRIBLE.
I just went to see it in theatres with a pall, thinking 'Well it's not like it could be any worse than the first.' I was very very wrong.

Sharon and father Christopher move around a lot to avoid Sharon getting captured by the Order. This cult is after her to reunite her with Alessa (the one who keeps them in their hell of Silent Hill) and destroy her. Unfortunately for the family, the Order capture Christopher to lour Sharon to Silent Hill and it works; new friend Vincent drives her nearly all the way there before revealing he's a child of the Order and was supposed to bring her but has had a change of heart. Sharon continues there anyway and Vincent is sent to the Silent Hill asylum for being a traitor.
After a brief run-in with Dahlia, the sirens go on (I think that was the only time in the movie, aside from the very very beginning credits, that the sirens went on) and Sharon seeks shelter in a... mannequin warehouse?
Inside there's a creature turning people who entered Silent Hill from taking a wrong into mannequins. Sharon escapes, then goes into the asylum, looking for Vincent's relative who supposedly has information about the seal that allowed Sharon to escape Silent Hill between the two movies (Yes, a bit confusing. Watch the first SH for a little clarity.).
Instead of helping, Vincent's relative shoves the seal inside himself (where he's been keeping the other half) and turns into a creature. It turns out to be a really easy boss fight, however, as Sharon just reaches inside and pull the united seal out which then causes him to poof into ash for some reason...
She then saves Vincent who has been strapped to a gurney and left in a room full of nurses.
The two of them then continue on to amusement park because Christopher is in the Sanctuary which is nearby. Vincent tries to create a diversion to draw members of the Order off Sharon's tail and gets caught.
Sharon meets her dark half and they become one again. With the two of them now one, she goes to the Sanctuary where her father is being prepped to be a sacrifice for a god and Sharon the vessel. Claudia, the leader of the cult, upon trying to take the seal from Sharon turns into another creature.
Then right-hand-man Pyramid Head steps in a boss fights with Claudia for Sharon. He chops off her head, Sharon, Vincent and Christopher get free, and PH walks off all like '...so what do I do now...'
Sharon and Vincent leave but Christopher decides to stay behind to find Rose (Sharon's mom from the first movie). As the two leave, they hitch a ride with a trucker named... Travis Grady!
Yup.

Pyramid Head chops off the arms of asylum residents after Sharon calls out for help.
(image from http://www.tumblr.com/tagged/red-pyramid?before=1343649486)

With this open ending, hopefully this mean another SH movie (that's good for once) in another 6 years.
So here's a question, did touching the seal that Sharon had actually turn Claudia into that creature?
If so, then how did she appear earlier in the movie at the mall to kill the PI tracking Sharon?
OR was that another creature with the same design? If that's the case, then touching the seal didn't do anything but make Claudia transform into something she had been previously. And if that's the case, then her followers shouldn't have been that surprised at her ghoulish appearance and ran away.
As my friend said as we left the theatre, the movies created more questions than it answered.

The writing is bad, the acting is bad, the editing is bad, the special effects are bad.
I mean, did you see the fire effect on Sharon in the beginning? That CG was poopy, along with the CG of the mannequin scenes (the girl turning into the mannequin, then her head coming back to life).
The choice to make the flashback footage grainy was also sucky. I mean, I know the footage was made to look deteriorated in the flashbacks in the first SH, but they also had a film type filter and feathered dark edges. These new flashbacks were simply grainy and I honestly found myself thinking 'What? Is the gain up too high?' For me, there wasn't enough besides the grain to indicate the grain was a good conscious choice.
This sequel has a new director who is also the writer, so maybe that has something to do with it?
Like the first movie the saving grace is good art direction and set design.
And Pyramid Head.